The opening of the joint art exhibition “Memories of immigration” in Sultan Bin Ali Al Owais Cultural Foundation
The opening of the joint art exhibition “Memories of immigration” in Sultan Bin Ali Al Owais Cultural Foundation
Prof. Dr. Mohammad Abdullah Al Mutawa , Member of the Board of Trustees of the Sultan Bin Ali Al Owais Cultural Foundation opened on the evening of Wednesday, October 31, 2018 Joint Art Exhibition (Memories of Migration) Artists Amer al – Obeidi and Iyad al – Musawi, in the exhibition hall, building enterprise, Street tenderness in Dubai, which will run until the seventh of November 2018.
He attended the opening qualitative audience of art lovers who toured the lobbies ceremony of the exhibition audience to explain the business offered by al – Obeidi and al – Musawi, where each of them privacy and Aoualemh that the audience felt about it admirable and surprising, as characterized by the work of their respective professionalism, experience and depth of the subject of philosophical who lies behind all Action.
The generosity of Dr. Mohammed Abdullah Al – Mutawa , a member of the Board of Trustees of the Sultan Bin Ali Al Owais artists Amer al – Obeidi and Iyad al – Moussawi , and gave them Draan Tzcaritan in recognition of their utmost in the expression of color and badminton for many Mknunat self, and thank them on behalf of the Sultan Bin Ali Al Owais , wishing them more success and progress.
Amer al – Obeidi , belongs to the second generation of plastic artists after the pioneer generation in Iraq, it has contributed continuously to the development of the Iraqi formation methods, and the introduction of modernity in the subtraction and treatment of plastic, although it was dealing with the Iraqi folklore and stories varied, especially aspects of fiction and drama in his works.
It is still mighty in the technical arguments, as continued technical tender to turn the painting into combinations of color rich in folk tales and visual elements of the many, which reflect diverse chromatically and vocabulary visual found in the folds and details of stories, novels and folk tales in Iraq.
Had a role and preferred the fine movement in Iraq, as encouraged by the support of many Alhbapmn artists through their official website, and helped them Aguetinaoamalhm by institutions and museums several, and lasted for almost three decades, the artist Iyad al – Musawi him with a renewed look at the art, for the enjoyment of its from his observations of childish mud houses in Iraqi villages and popular symbols, which confirm the authenticity of the Iraqi popular tradition which will not be repeated in nature formative and folklore, it is a sense of potential in the work of Iraqi artist often, which embodies the pompous environment in modern form. The pant on its units and the decorations on the doors and windows of these houses, as one finds in his sculptures and paintings smell mixed with the pain of the Iraqi mud, Alouhcp lived and continues to live under the brunt of the sons of Mesopotamia.
Amer al – Obeidi in brief
Born artist Amer al – Obeidi in 1943, studied art at the Institute of Fine Arts and the Arts / Baghdad , Iraq Academy and graduated 1968-1969 m. He served as Director General of the National Museum of Modern from 1973 Art to 1983, and then served as Director General of the Fine Arts Department in 1993, has won international awards several in the art, with a mural of the carpet at the King Abdul Aziz Airport in Iraq , airports and some institutions Square celebrations, and held several solo exhibitions in Iraq and abroad from 1970 to the present day.
Iyad al – Musawi in brief
He studied art history and artistic criticism independently as a scientist for more than thirty – five years, has established more than 15 art exhibition solo around the world: Kuwait, Morocco, Canada, United Kingdom, Tunisia, Iraq and the United Arab Emirates, won Rosso Faramat grant and resided in Banff , Alberta Center Canada, participated in the Art and culture Festival, the studio art Boeselh, Morocco for several years. His works acquired by the Museum of Modern Art and the Art Bank in Ottawa, Canada, In addition to the holdings of individuals and institutions.
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